टोबी एडवर्ड रोसेंथल, 1883 - द ट्रायल ऑफ़ कॉन्स्टेंस डी बेवर्ली - ललित कला प्रिंट

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Original information about the work of art by the museum (© - by Los Angeles County Museum of Art - www.lacma.org)

Notes from the Curator: American art achieved cosmopolitan status in the decades following the nation’s centennial with figure paintings such as The Trial of Constance de Beverly by Toby Rosenthal (1848-1917). Although a scene set in the time of Henry VIII (1491-1547) the large canvas resonates of the 19th century and serves as a barometer of cultural taste. Rosenthal was one of the earliest American expatriate artists to achieve international fame. Prussian-born, he grew up in San Francisco but returned to Europe to enroll in the Royal Academy in Munich. There he was introduced to the academic belief in the superiority of history painting. Under Karl von Piloty, Rosenthal learned how to depict stories of an uplifting, moral character in dramatic, yet easily understood terms. While he lived in Germany, Rosenthal received his most significant commissions from Americans. In 1879 the San Francisco industrialist Irving M. Scott requested a scene from Marmion (1808), a romantic narrative poem by Sir Walter Scott (1771-1832). The tale was a favorite of Rosenthal’s patron, whose enthusiasm reflected the popularity of the Scotsman’s writings with the middle-class reading public. Scotts’ influence on 19th-century pictorial arts was equally pervasive, for beginning in the 1820s, his novels revolutionized history painting in Europe and America by providing artists with stories of a human character that had mass appeal. The Trial of Constance de Beverly was a late example of such painting. Marmion is a tale fraught with all the elements of a bestseller: romance, danger, abandonment, and death. The story concerns Constance de Beverly, a beautiful young novice who is seduced into leaving the convent by Lord Marmion, a handsome but eventually faithless suitor. Rosenthal chose not to delineate a romantic episode, but to focus on the tense courtroom drama as Constance awaits her fate at the hands of a clerical tribune. In quite operatic fashion befitting medieval revival novels and history paintings, Rosenthal depicted the moment when a monk plucks Constance’s cloak from her shoulders to reveal her clothed as Lord Marmion’s page: in the background two monks gleefully prepare the niche where she will be bricked-up alive for breaking her religious vows. Rosenthal brilliantly exploited the romantic elements of gothic literature by heightening the sinister, almost ghoulish character of the scene through a cavernous setting, brownish-black palette, tenebrous lighting, and theatrical facial expressions. Rosenthal sought complete accuracy in the details of the setting and costume. He did depart dramatically from the story, however, by omitting Lord Marmion from the trial scene. By doing so, Constance becomes the main protagonist, standing center stage, a heroine despite the tragedy of her situation. Painted during a period when most women still had little control of their own lives, Rosenthal’s Constance was someone who determined her own destiny. After winning a gold medal at the 1883 Munich International Art Exhibition, the painting was exhibited in San Francisco to great acclaim.

Notes from the Contributor: Painting by Toby Edward Rosenthal (Museum: Los Angeles County Museum of Art)

कला उत्पाद स्पष्टीकरण

यह कलाकृति किसके द्वारा बनाई गई है? टोबी एडवर्ड रोसेन्थल in 1883. मूल आकार मापता है 57 5/8 × 91 इंच (146,37 × 231,14 सेमी) and was painted with the techinque of oil on canvas. Today, this work of art is in the the digital collection of लॉस एंजिल्स काउंटी कला के संग्रहालय. With courtesy of Los Angeles County Museum of Art (www.lacma.org) (public domain).Also, the artpiece has the creditline: . On top of that, alignment is in परिदृश्य प्रारूप के अनुपात के साथ 3: 2, जिसका अर्थ है कि लंबाई चौड़ाई से 50% अधिक है।

कलाकृति का संरचित विवरण

कलाकृति का शीर्षक: "The Trial of Constance de Beverly"
वर्गीकरण: पेंटिंग
सामान्य शब्द: आधुनिक कला
कलाकृति सदी: 19th सदी
वर्ष में बनाया गया: 1883
कलाकृति की आयु: 130 से अधिक वर्षों
पर चित्रित: कैनवास पर तेल
मूल कलाकृति के आयाम: 57 5/8 × 91 इंच (146,37 × 231,14 सेमी)
संग्रहालय: लॉस एंजिल्स काउंटी कला के संग्रहालय
संग्रहालय का स्थान: लॉस एंजिल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका
वेब पृष्ठ: लॉस एंजिल्स काउंटी कला के संग्रहालय
लाइसेंस: पब्लिक डोमेन
के सौजन्य: लॉस एंजिल्स काउंटी संग्रहालय कला (www.lacma.org)

इस उत्पाद के बारे में

लेख वर्गीकरण: कला प्रति
प्रजनन की विधि: डिजिटल पुनरुत्पादन
विनिर्माण तकनीक: यूवी प्रत्यक्ष मुद्रण (डिजिटल प्रिंट)
उत्पादन: जर्मनी में निर्मित
स्टॉक प्रकार: मांग पर उत्पादन
इच्छित उत्पाद उपयोग: दीवार की सजावट, कला पुनरुत्पादन गैलरी
कलाकृति अभिविन्यास: भूदृश्य प्रारूप
आस्पेक्ट अनुपात: 3: 2
छवि पहलू अनुपात की व्याख्या: लंबाई चौड़ाई से 50% अधिक है
सामग्री आप चुन सकते हैं: पोस्टर प्रिंट (कैनवास पेपर), कैनवास प्रिंट, मेटल प्रिंट (एल्यूमीनियम डिबॉन्ड), ऐक्रेलिक ग्लास प्रिंट (असली ग्लास कोटिंग के साथ)
स्ट्रेचर फ्रेम पर कैनवास (कैनवास प्रिंट) विकल्प: 30x20 सेमी - 12x8", 60x40 सेमी - 24x16", 90x60 सेमी - 35x24", 120x80 सेमी - 47x31"
ऐक्रेलिक ग्लास प्रिंट (असली ग्लास कोटिंग के साथ) वेरिएंट: 30x20 सेमी - 12x8", 60x40 सेमी - 24x16", 90x60 सेमी - 35x24", 120x80 सेमी - 47x31"
पोस्टर प्रिंट (कैनवास पेपर) आकार विकल्प: 60x40 सेमी - 24x16", 90x60 सेमी - 35x24", 120x80 सेमी - 47x31"
डिबॉन्ड प्रिंट (पूर्व छात्र सामग्री) विकल्प: 30x20 सेमी - 12x8", 60x40 सेमी - 24x16", 90x60 सेमी - 35x24", 120x80 सेमी - 47x31"
कला प्रति का फ़्रेमिंग: बिना फ़्रेम वाला कला प्रिंट

कलाकार तालिका

कलाकार का नाम: टोबी एडवर्ड रोसेन्थल
दुसरे नाम: rosenthal toby e., toby e. rosenthal, Rosenthal Tobias Edward, tobi e. rosenthal, toby rosenthal, Rosenthal Toby Edward, Toby Edward Rosenthal, t.e. rosenthal, Rosenthal Toby
कलाकार लिंग: नर
कलाकार की राष्ट्रीयता: अमेरिकन
व्यवसायों: कलाकार, चित्रकार
उद्गम देश: संयुक्त राज्य अमेरिका
कलाकार वर्गीकरण: आधुनिक कलाकार
आजीवन: 69 साल
जन्म का साल: 1848
जन्म स्थान: प्रशिया, यूरोप
वर्ष में मृत्यु हो गई: 1917
(स्थान) में मृत्यु हो गई: बर्लिन, बर्लिन राज्य, जर्मनी

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