मैरी कसाट, 1880 - माँ अपने सोते हुए बच्चे को नहलाने वाली थी - ललित कला प्रिंट

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उपलब्ध उत्पाद सामग्री

प्रत्येक ललित कला प्रिंट के लिए हम विभिन्न सामग्री और आकार प्रदान करते हैं। हम आपको निम्नलिखित उत्पाद वैयक्तिकरण विकल्पों में से अपना पसंदीदा आकार और सामग्री चुनने की अनुमति देते हैं:

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अतिरिक्त विवरण जैसा कि संग्रहालय द्वारा प्रदान किया गया है (© - लॉस एंजिल्स काउंटी म्यूज़ियम ऑफ़ आर्ट द्वारा - लॉस एंजिल्स काउंटी कला के संग्रहालय)

This painting is considered among Cassatt’s earliest, if not her first, treatment of her popular mother and child image. According to Achille Segard, the painting was exhibited during April 1880 in the Fifth Impressionist Exhibition. Although none of Cassatt’s contributions is enumerated in the catalogue, she is known to have shown eight paintings. If Mother about to Wash Her Sleepy Child was included, then the customary explanation of Cassatt’s use of this theme, i.e., that she began painting the subject after spending much time with her nieces and nephews during her brother Alexander’s visit to France in the summer of 1880, is incorrect. Whatever her initial motivation, Cassatt would devote nearly one third of her artistic production to such themes, as did many artists of the period. Mother about to Wash Her Sleepy Child is an example of Cassatt’s work as an impressionist, shortly before her mature, more solid style began to emerge. In the 1870s, no doubt inspired by Degas and other French impressionists, Cassatt began depicting intimate domestic scenes, often of figures in interiors. In this painting a woman tenderly washes her child. The image is cropped on both sides --a favorite device of Degas, who borrowed it from contemporary photographs and Japanese prints -- and the entire scene is slightly tilted up and compressed into the narrow foreground. The stripes of the chair’s upholstery and the wallpaper intensify this verticality. While the Japanese qualities of Cassatt’s art are usually considered in terms of her later paintings and prints, she actually assimilated the oriental aesthetic quite early. Already apparent in Mother about to Wash Her Sleepy Child are the use of an intimate subject and a skillfully balanced surface design incorporating areas of patterning, both encouraged by the example of Japanese prints. Historians have often commented on the pose of the child, especially the position of his legs, finding sources in Madonna and Child images by Parmigianino (1503-1540) and Antonio Correggio (1494-1534). Although Cassatt knew of Italian religious painting and late nineteenth-century artists tended to dress biblical persons in contemporary attire, such historical sources are not necessary to explain the pose. Such awkward naturalism is quite typical of works by her mentor, Degas, and demonstrates how Cassatt utilized every aspect of the scene to convey the modernity, the untraditional representation, of the image. The overall surface is quite sketchy, as Cassatt vigorously brushed out contour lines with thick pigment to convey a sense of the momentary. Nevertheless, the form is not lost, as demonstrated by the mother’s superbly delineated right hand. In the 1870s, influenced by the impressionists, Cassatt began to lighten and brighten her palette. In her work she reflects the impressionist fascination with the color white. Although the palette used here is lighter than that of her previous paintings, it still exhibits an intense hue, as Cassatt explored the reflection of the blue and green of the setting and the flesh tones on the white attire of the figures and the interaction of all the colors. The delicate tints and brushwork are combined to create a shimmering surface. The painting was bought by Mr. और श्रीमती Alfred Atmore Pope, Americans whom Cassatt met in Naugatuck, Connecticut, in 1898-99 during her first trip home since the Franco-Prussian War. Pope had amassed a fortune in the steel industry, and by the time of his introduction to Cassatt had already begun to collect impressionist paintings, which now constitute the collection of the Hill-Stead Museum, Farmington, Connecticut.

कला उत्पाद विशिष्टताएँ

कला का काम शीर्षक Mother About to Wash Her Sleepy Child द्वारा चित्रित किया गया था महिला कलाकार मैरी कसाट140 वर्षों पुरानी कलाकृति का माप माप: 39 1/2 × 25 7/8 इंच (100,33 × 65,72 सेमी). Oil on canvas was used by the artist as the medium of the work of art. The artpiece is in the the art collection of लॉस एंजिल्स काउंटी कला के संग्रहालय, which is the largest art museum in the western United States, with a collection of more than 142.000 objects that illuminate 6.000 years of artistic expression across the globe. With courtesy of - Los Angeles County Museum of Art (www.lacma.org) (पब्लिक डोमेन).कलाकृति की क्रेडिटलाइन: . इसके अलावा, डिजिटल पुनरुत्पादन का संरेखण है चित्र प्रारूप के अनुपात के साथ 2: 3, जिसका अर्थ है कि लंबाई चौड़ाई से 33% कम है. Mary Cassatt was a female painter, graphic artist, printmaker of American nationality, whose style can be classified as Impressionism. The artist lived for 82 years, born in 1844 in Allegheny City, Pittsburgh, Allegheny county, Pennsylvania, United States, neighborhood and died in 1926.

कलाकृति की जानकारी

कला का शीर्षक: "Mother About to Wash Her Sleepy Child"
वर्गीकरण: पेंटिंग
व्यापक शब्द: आधुनिक कला
सदी: 19th सदी
में बनाया: 1880
कलाकृति की अनुमानित आयु: 140 साल पुराना है
पर चित्रित: कैनवास पर तेल
मूल आकार: 39 1/2 × 25 7/8 इंच (100,33 × 65,72 सेमी)
संग्रहालय: लॉस एंजिल्स काउंटी कला के संग्रहालय
संग्रहालय का स्थान: लॉस एंजिल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका
पर उपलब्ध: लॉस एंजिल्स काउंटी कला के संग्रहालय
कलाकृति लाइसेंस: पब्लिक डोमेन
के सौजन्य: लॉस एंजिल्स काउंटी संग्रहालय कला (www.lacma.org)

इस उत्पाद के बारे में

उत्पाद वर्गीकरण: ललित कला पुनरुत्पादन
प्रजनन की विधि: डिजिटल पुनरुत्पादन
उत्पादन की प्रक्रिया: यूवी डायरेक्ट प्रिंट (डिजिटल प्रिंटिंग)
उत्पाद की उत्पत्ति: जर्मनी में निर्मित
स्टॉक प्रकार: मांग पर
प्रस्तावित उत्पाद उपयोग: दीवार चित्र, कला संग्रह (प्रतिकृतियां)
कलाकृति संरेखण: पोर्ट्रेट प्रारूप
पार्श्व अनुपात: 2 : 3 लंबाई से चौड़ाई
छवि अनुपात की व्याख्या: लंबाई चौड़ाई से 33% कम है
उपलब्ध सामग्री विकल्प: कैनवास प्रिंट, पोस्टर प्रिंट (कैनवास पेपर), मेटल प्रिंट (एल्यूमीनियम डिबॉन्ड), ऐक्रेलिक ग्लास प्रिंट (असली ग्लास कोटिंग के साथ)
कैनवास प्रिंट (स्ट्रेचर फ्रेम पर कैनवास) आकार प्रकार: 20x30 सेमी - 8x12", 40x60 सेमी - 16x24", 60x90 सेमी - 24x35", 80x120 सेमी - 31x47", 100x150 सेमी - 39x59"
ऐक्रेलिक ग्लास प्रिंट (असली ग्लास कोटिंग के साथ) आकार: 20x30 सेमी - 8x12", 40x60 सेमी - 16x24", 60x90 सेमी - 24x35", 80x120 सेमी - 31x47", 100x150 सेमी - 39x59"
पोस्टर प्रिंट (कैनवास पेपर) आकार: 40x60 सेमी - 16x24", 60x90 सेमी - 24x35", 80x120 सेमी - 31x47"
डिबॉन्ड प्रिंट (पूर्व छात्र सामग्री) वेरिएंट: 20x30 सेमी - 8x12", 40x60 सेमी - 16x24", 60x90 सेमी - 24x35", 80x120 सेमी - 31x47"
आर्टप्रिंट का फ़्रेमिंग: कृपया ध्यान रखें कि इस आर्ट प्रिंट में कोई फ्रेम नहीं है

कलाकार के बारे में

कलाकार का नाम: मैरी कसाट
वैकल्पिक नाम: Cassatt Mary, Cassatt, m. cassatt, Cassatt Mary Stevenson, Mary Stevenson Cassatt, cassatt mary, Mary Cassatt, cassat mary, קאסאט מארי
कलाकार का लिंग: महिला
कलाकार की राष्ट्रीयता: अमेरिकन
नौकरियां: चित्रकार, ग्राफिक कलाकार, प्रिंटमेकर
उद्गम देश: संयुक्त राज्य अमेरिका
कलाकार श्रेणी: आधुनिक कलाकार
कला शैलियाँ: प्रभाववाद
जीवनकाल: 82 साल
उत्पन्न होने वाली: 1844
(स्थान) में जन्मे: एलेघेनी शहर, पिट्सबर्ग, एलेघेनी काउंटी, पेंसिल्वेनिया, संयुक्त राज्य अमेरिका, पड़ोस
वर्ष मर गया: 1926
(स्थान) में मृत्यु हो गई: ले मेसनिल-थेरिबस, हाउट्स-डी-फ़्रांस, फ़्रांस

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