विल्हेम बेंड्ज़, 1832 - म्यूनिख में फिन्क के कॉफ़ी-हाउस में कलाकार - ललित कला प्रिंट

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विशिष्टता

This artwork was made by the romanticist artist विल्हेम बेंड्ज़ in 1832. The original has the size: 94,8 x 136,6 cm and was crafted with the techinque of कैनवास पर तेल. आजकल यह कलाकृति के संग्रह का हिस्सा है थोरवाल्डसेन्स संग्रहालय in Copenhagen, Denmark. With courtesy of - Wilhelm Bendz, Artists in Finck's Coffee-house in Munich, 1832, Thorvaldsens Museum, www.thorvaldsensmuseum.dk (license - public domain).In addition to that, the artwork has the following creditline: . What is more, the alignment of the digital reproduction is in परिदृश्य प्रारूप के पहलू अनुपात के साथ 3: 2, जिसका मतलब है कि लंबाई चौड़ाई से 50% अधिक है. Wilhelm Bendz was a painter, whose art style was mainly Romanticism. The artist lived for 28 साल, born in the year 1804 and passed away in the year 1832 in Vicenza, Italy.

अपनी सामग्री चुनें

The product dropdown menu ofers you the possibility to choose the size and materialaccording to your preferences. You can pick your preferred material and size among the subsequent choices:

  • कैनवास प्रिंट: The UV printed canvas mounted on a wooden frame. A canvas generates a plastic look of three dimensionality. Your canvas print of your favorite work of art will let you turn your new art print into a large artwork. Hanging your canvas print: Canvas Prints have the great advantage of being low in weight, which means that it is quite simple to hang up the Canvas print without extra wall-mounts. A canvas print is suited for all types of walls.
  • ऐक्रेलिक ग्लास प्रिंट (शीर्ष पर असली ग्लास कोटिंग के साथ): A glossy print on acrylic glass, often referred to as a plexiglass print, makes your chosen original work of art into amazing home décor. In addition, the acrylic fine art print makes a great alternative to canvas and aluminidum dibond art prints. The artwork will be manufactured with state-of-the-art UV direct print technology. This has the impression of deep and vivid colors.
  • धातु (एल्यूमीनियम डिबॉन्ड प्रिंट): These are metal prints on aluminium dibond with an outstanding depth, which makes a contemporary look thanks to a surface , that is not reflective. For the Direct Aluminium Dibond option, we print the chosen artwork right on the surface of the white-primed aluminum composite. The direct print on Aluminum Dibond is the most popular entry-level product and is a sophisticated way to showcase artworks, since it draws focus on the artwork.
  • कैनवास सामग्री पर पोस्टर प्रिंट: A poster print is a printed sheet of flat canvas paper with a granular finish on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm around the artwork, which facilitates the framing with your custom frame.

कानूनी अस्वीकरण: We try everythig possible in order to describe the art products as exact as it is possible and to display them visually on the various product detail pages. Although, some tone of the print materials, as well as the print result may vary slightly from the presentation on the screen. Depending on the settings of your screen and the quality of the surface, color pigments can unfortunately not be printed 100% realistically. Considering that the art prints are processed and printed by hand, there may as well be minor differences in the motif's size and exact position.

उत्पाद

प्रिंट वर्गीकरण: ललित कला पुनरुत्पादन
प्रजनन: डिजिटल पुनरुत्पादन
निर्माण प्रक्रिया: यूवी प्रत्यक्ष प्रिंट
विनिर्माण: जर्मनी में उत्पादित
स्टॉक प्रकार: मांग पर उत्पादन
इच्छित उपयोग: गृह सज्जा, कला संग्रह (प्रतिकृतियाँ)
छवि का अभिविन्यास: भूदृश्य प्रारूप
पार्श्व अनुपात: 3: 2 (लंबाई चौड़ाई)
छवि अनुपात व्याख्या: लंबाई चौड़ाई से 50% अधिक है
कपड़ा विकल्प: पोस्टर प्रिंट (कैनवास पेपर), कैनवास प्रिंट, मेटल प्रिंट (एल्यूमीनियम डिबॉन्ड), ऐक्रेलिक ग्लास प्रिंट (असली ग्लास कोटिंग के साथ)
स्ट्रेचर फ्रेम पर कैनवास (कैनवास प्रिंट) आकार प्रकार: 30x20 सेमी - 12x8", 60x40 सेमी - 24x16", 90x60 सेमी - 35x24", 120x80 सेमी - 47x31", 150x100 सेमी - 59x39"
ऐक्रेलिक ग्लास प्रिंट (असली ग्लास कोटिंग के साथ) वेरिएंट: 30x20 सेमी - 12x8", 60x40 सेमी - 24x16", 90x60 सेमी - 35x24", 120x80 सेमी - 47x31", 150x100 सेमी - 59x39"
पोस्टर प्रिंट (कैनवास पेपर) वेरिएंट: 60x40 सेमी - 24x16", 90x60 सेमी - 35x24", 120x80 सेमी - 47x31"
डिबॉन्ड प्रिंट (पूर्व छात्र सामग्री) वेरिएंट: 30x20 सेमी - 12x8", 60x40 सेमी - 24x16", 90x60 सेमी - 35x24", 120x80 सेमी - 47x31"
फ़्रेम: कोई फ्रेम नहीं

कलाकृति की संरचित तालिका

कला शीर्षक का कार्य: "Artists in Finck's Coffee-house in Munich"
कलाकृति वर्गीकरण: पेंटिंग
सामान्य शब्द: आधुनिक कला
अवधि: 19th सदी
में बनाया: 1832
कलाकृति की अनुमानित आयु: 180 साल से अधिक
कलाकृति मूल माध्यम: कैनवास पर तेल
मूल कलाकृति का आकार: 94,8 एक्स 136,6 सेमी
इसमें प्रदर्शित: थोरवाल्डसेन्स संग्रहालय
संग्रहालय का स्थान: कोपेनहेगन, डेनमार्क
संग्रहालय की वेबसाइट: थोरवाल्डसेन्स संग्रहालय
लाइसेंस: पब्लिक डोमेन
के सौजन्य: Wilhelm Bendz, Artists in Finck's Coffee-house in Munich, 1832, Thorvaldsens Museum, www.thorvaldsensmuseum.dk

कलाकार का संक्षिप्त अवलोकन

कलाकार: विल्हेम बेंड्ज़
लिंग: नर
राष्ट्रीयता: डेनिश
नौकरियां: चित्रकार
उद्गम देश: डेनमार्क
कलाकार श्रेणी: आधुनिक कलाकार
कला शैलियाँ: प्राकृतवाद
वृद्धावस्था में मृत्यु हो गई: 28 साल
वर्ष में जन्मे: 1804
वर्ष में मृत्यु हो गई: 1832
मृतक (स्थान): Vicenza, इटली

यह पाठ बौद्धिक संपदा है और कॉपीराइट द्वारा संरक्षित है ©, www.artprinta.com (Artprinta)

Additional information from Thorvaldsens Museum (© Copyright - by Thorvaldsens Museum - थोरवाल्डसेन्स संग्रहालय)

In 1830, Eckersberg’s pupil, Wilhelm Bendz, had received a travel grant and left Denmark the following year. As usual, Rome was the goal, but Bendz took his time on the journey. One of the first places he visited in Munich was Finck’s Hostelry, which was the meeting place of the Munich artists. There, Bendz hoped to meet his friend, the Hamburg landscape painter Christian Morgenstern, whom he knew from the time when Morgenstern was studying at the Academy in Copenhagen. Morgenstern introduced him to the group of artists seen here gathered around their regular table. Bendz himself described the picture in a letter to his teacher Eckersberg: “In the foreground I had a number of painters with whom I consorted daily, and I attempted to reproduce the life ruling there, and to portray each as typically as possible. In general, we sang four-part songs, and drinking beer played an important part, as you well know is the case everywhere in Bavaria; in the background we can see into two other rooms, and I tried to paint that in the light of candles, which faced me with many difficulties when it came to creating portraits.” If any of the artists portrayed is to be given a special mention, it must be Bendz himself, who is seen standing third from the right with a pipe in his mouth. Perhaps he has just arrived – the man beside him, the genre artist Joseph Petzl, is at any rate just removing his outdoor clothes. Morgenstern is seated on the far right at the artists’ table. In the foreground, an artist is leaning forward towards a woman selling walnuts. This is the Norwegian landscape painter Thomas Fearnley, who subsequently bought the painting from Bendz and shortly afterwards sold it on to Thorvaldsen. Benz left Munich in September 1832 together with Fearnley and Petzl in order to go to Italy. They were to travel via Salzburg and Trieste to Venice. However, Bendz caught typhoid fever and died at the early age of 28 at Vicenza without ever reaching the Eternal City.

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